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	<title>埃里奥·贝多利 &#8211; 七彩泡泡 ✌︎(❛‿˂̵✧)</title>
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		<title>对一个不容怀疑的公民的调查</title>
		<link>https://www.733588.com/investigation-of-a-citizen-above-suspicion/</link>
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		<dc:creator><![CDATA[埃里奥·贝多利]]></dc:creator>
		<pubDate>Wed, 15 Jan 2020 10:59:46 +0000</pubDate>
				<category><![CDATA[惊悚电影]]></category>
		<category><![CDATA[文艺电影]]></category>
		<category><![CDATA[犯罪电影]]></category>
		<category><![CDATA[电影百科]]></category>
		<category><![CDATA[1970]]></category>
		<category><![CDATA[人性]]></category>
		<category><![CDATA[政治]]></category>
		<category><![CDATA[黑色幽默]]></category>
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					<description><![CDATA[基本介绍： 《对一个不容怀疑的公民的调查》是由意大利Vera Films S.p.a. 制作的112分钟犯罪影 [&#8230;]]]></description>
										<content:encoded><![CDATA[<h3>基本介绍：</h3>
<p>《对一个不容怀疑的公民的调查》是由意大利Vera Films S.p.a. 制作的112分钟犯罪影片。该片由艾利欧·培特利执导，Gianni Santuccio、博尔坎·弗洛琳达等主演，于1970年在芬兰上映。<br />
该片讲述了一个心理变态的警官杀死了他的情妇，但由于他的地位，他被排除在一切怀疑之外的故事。</p>
<h3>英文简介：</h3>
<p>A chief of detectives, homicide section, kills his mistress and deliberately leaves clues to prove his own responsibility for the crime.（<a href="https://www.733588.com/investigation-of-a-citizen-above-suspicion-3/">详细剧情</a>）<br />
[toggle title=机器翻译，仅供参考]<br />
凶杀科的一名警长杀死了他的情妇，并故意留下线索来证明自己对这一罪行的责任。<br />
[/toggle]</p>
<h3>电影出品：</h3>
<p>意大利（1970）/彩色</p>
<h3>获奖记录：</h3>
<p><span class="td_text_highlight_marker_red td_text_highlight_marker">1971年奥斯卡最佳外语片奖</span><br />
<span class="td_text_highlight_marker_pink td_text_highlight_marker">1970年戛纳电影节评委会大奖</span></p>
<h3>剧照欣赏：</h3>

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<h3>电影故事：</h3>
<p>警察局侦查科长，是一个心理畸形的变态狂。一天，他杀死了自己的情妇。在案件的侦破过程中，由于他自己所处的位置，而成为了一个“不受怀疑的公民”……最后他向刑警队长自首，准备接受法律的制裁。上司和同事们都赶到他家中，狠狠地惩罚他，却并不准备将他绳之以<!--loginview start-->法……<!--loginview end--></p>
<h3>权威点评：</h3>
<p>本片是一部卡夫卡式的作品。影片通过对一桩案件的调查，揭露了社会权力结构的专制与堕落。佩特里非常明确地表明，这部作品是“反对警方和揭露资产阶级社会压迫人的本性的影片”。身为意大利共产党员的佩特里具有鲜明的社会批判意识，他使用商业电影所具备的有效手段，将戏剧性变化与客观描绘结合在一起，进行政治分析和社会论证，这使佩特里的作品兼有现实主义与象征主义的色彩。他的影片带有明确的批判意义，不晦涩、不概念化，但仍不属于大众化的<!--loginview start-->作品。<!--loginview end--></p>
<h3>影片评价：</h3>
<p>《对一个不容怀疑的公民的调查》是一部意大利的政治电影，是对于法西斯似的政治作风以及警察局内部腐败肮脏的勾当的一种猛烈的抨击，在表现手法上极其辛辣但又不失沉稳，情节一环扣一环，起伏跌宕。（新浪娱乐评）<br />
导演艾利欧·培特利的艺术手法严谨有力。主角Gianni Santuccio的表演也十分出色。但在影片后半部分，过多地以表现主义的变形手法表现人物的变态心理，那个警官活像是费奥多尔·米哈伊洛维奇·陀思妥耶夫斯基小说里的人物，行为与精神均变态失常，因而削弱了原有的政治寓意。（《电影评介》评）</p>
<h3>图书摘录：</h3>
<p>一个道貌岸然、威风凛凛的警官因为嫉妒和侮辱而杀死了情妇，并若无其事地调查此案，后来因心虚毁灭证据。由于他人性尚未彻底泯灭，在强有力的证人面前承认了罪行。但所有同事和长官为了自身的利益而阻止他认罪，并“循循善诱”。在众人的启发和教育下，他终于承认了自己的“清白无辜”，证明了自己是“不受怀疑的<!--loginview start-->公民”。<!--loginview end-->（周黎明《西片碟中碟》）</p>
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